he palace in Książ Wielki was built by the bishop of Cracow and the then owner of the town
Piotr Myszkowski, coat of arms
Jastrzębiec (d. 1591), a close friend of the famous Polish Renaissance poet
Jan Kochanowski. Construction works were carried out in 1582-95 under the supervision of the royal architect from Florence, Santi Gucci (d. 1600), author of the reconstruction of castles in
Pińczów and
Baranów Sandomierski. The involvement of the great Italian builder in this project resulted probably from his obligations to the bishop, who had previously supported him financially during his illness. The Myszkowski family used to live in the Gothic castle of Mirów near Częstochowa, which indeed had excellent defensive features, but due to its archaic construction and typically military character did not provide adequate comfort for its inhabitants. Therefore it was the bishop's intention to build a comfortable and magnificent residence, suitable for a great dignitary. The new residence emphasized the financial power of the heirs of Książ Wielki (then called Magna Xiąsz) and added splendor to the ambitious Myszkowski family.
RUINS OF THE MEDIEVAL MIRÓW CASTLE, AN OLDER RESIDENCE OF MYSZKOWSKI FAMILY
P
iotr Myszkowski did not live to see the end of the construction work. It was completed by his nephew, also
Piotr (d. 1601), who together with his brother,
Zygmunt Myszkowski (d. 1616), established the hereditary Pińczów fee tail, in which the Mirów palace played the role of the seat of one of twelve estates belonging to this vast latifundium. The Myszkowski brothers possessed a huge fortune worth 8 million zlotys, but they lacked aristocratic titles. They bought such a title, with the rank of margrave, in 1596 from Pope
Clemens VIII (d. 1605). A year later, however, they came into possession of the Gonzaga surname, for which they paid dearly to its owner,
Vincent Gonzaga, Duke of Mantua and Montferrat (d. 1612). From then on the Myszkowski family were called de Gonzaga, and their residence in Książ Wielki - Mirów, in memory of the Gothic stronghold of their fathers.
EASTERN ELEVATION OF THE PALACE, IN THE FOREGROUND WE CAN SEE THE ARCADES OF THE FORMER CHAPEL
MYSZKOWSKI FEE TILE
It consisted of 3 towns and 78 villages. Fee tile was divided into 12 large land estates named after the most important towns and villages: Książ Wielki, Książ Mały, Rogów, Pińczów, Kępie, Marcinowice, Olszówka, Przyłęczek, Szaniec, Chroberz, Kozubów and Michałów. The landed property was inherited in the male line.
The fee tile owners:
Zygmunt Myszkowski (d. 1616), Crown Marshal
his son Jan Myszkowski (d. 1621)
his brother Ferdynand Myszkowski (d. 1647)
his brother Władysław Myszkowski (d. 1658), voivode of Cracow and Sandomierz
his cousin Franciszek Myszkowski (d. 1669), castellan of Bełsk and Sochaczew
his son Stanisław Kazimierz Myszkowski (d. 1684)
his brother Józef Władysław Myszkowski (d. 1727), starost of Lanckorona
None of the above mentioned lived for good in Książ Wielki.
MIRÓW PALACE, VIEW FROM THE WEST
A
fter the death of Józef Władysław Myszkowski (1727), his heirs, the Jordan and Wielopolski families, began to compete for the property. Finally, by decision of the Crown Tribunal, the fee tile was granted to
Franciszek Wielopolski, coat of arms
Starykoń (d. 1732), Voivode of Cracow, who adopted the name Gonzaga Myszkowski. After him, the estate belonged to his son Karol (d. 1773), the owner of Żywiec and Pieskowa Skała castle, and then to his son
Franciszek (d. 1809), the first ever president of Cracow. During the Kościuszko Uprising in 1794, Russian troops were stationed in the palace, devastating its interiors and looting its furnishings. Local peasants also participated in this destruction, as they took advantage of the wartime chaos to loot valuable equipment and decorations. The condition of the residence at the end of the 18th century was so bad that the Wielopolski family decided not to move to Książ Wielki even when the family castle in Pińczów fell into ruin.
EASTERN ELEVATION OF THE PALACE IN THE SECOND HALF OF THE XVII CENTURY
EASTERN ELEVATION AT PRESENT
A
t the beginning of the 19th century Franciszek Wielopolski renovated the palace, removed its Renaissance gables and raised the central risalit by one floor. His son Józef Jan (d. 1838) tried to continue these works, but did not finish them, probably because of the huge debt, which was caused by the incompetent management of the estate by the successive owners and liquidation of serfdom as a free source of labor. The assets, which were indebted for half of their value, were divided, so that only three out of twelve parts were left to the Wielopolski family, including Książ Wielki. From 1813 they were administered by Józef Stanisław Wielopolski (d. 1815), and after him by his son
Aleksander (d. 1877), later the Chamberlain of Tsar
Nikolai I Romanov.
PROJECT OF NEO-GOTHIC PALACE RECONSTRUCTION ACCORDING TO STUHLER
W
hen only 12-year-old Aleksander took over the estate in 1815, the palace in Książ Wielki, despite recent renovations, required further expenditures, since the roof was already leaking and water destroyed some of the floors. Therefore, in the early 1840s, he ordered reconstruction of the residence in neo-Gothic style. According to the project of an architect named Chamerling, the palace was to receive a new facade design, eight small towers, and renovated interiors. Unfortunately, in 1846 Wielopolski stopped the works due to lack of funds, he invested mainly in his
residence in Chrobrze, which in the middle of the 19th century became the family seat. By that time, two palace floors were rebuilt and the risalit received a neo-Gothic crown. Shortly afterwards, during the January Uprising, the insurgents set fire to the building, causing considerable damage in it. As a result, after 1863 the palace was partially abandoned.
MIRÓW PALACE ON NAPOLEON ORDA'S LITHOGRAPH, 1881
W
hen Aleksander Wielopolski died, Książ Wielki passed into the hands of Zygmunt Konstanty (d. 1902), a Russian official loyal to the tsar who made a career as the president of Warsaw and an officer of the Russian army. The last owners of the Myszkowski fee tile were
Aleksander Erwin Wielopolski (d. 1937) and his son
Zygmunt Konstanty (d. 1971). The latter was forced to live for some time during World War II in a dilapidated Mirów palace when his family residence in Chrobrze was seized and occupied by the Germans. However, the Nazis also appeared in Książ Wielki, where in 1941-43 a small SS garrison stationed. After the war the estate was nationalized and the building, devastated by the Germans, underwent renovation and in 1949 the local authorities opened a high school in it.
PALACE ON A POSTCARD FROM 1908, BRICKED UP WINDOW OPENINGS SUGGEST THAT THE BUILDING WAS ABANDONED AT THAT TIME
he characteristic look of the palace is given by two large risalits in the front and garden part, and two smaller ones on the side elevations. Its architect, who followed the Florentine style, finished the elevations of the two lower storeys with rustication, above which there is a plain wall, enriched with decorative elements like Renaissance window frames and a frieze with the family crests. The palace was covered with a steep roof and possibly an attic. Its rooms on the ground floor were vaulted, while the upper floors had wooden ceilings (after the last war they were replaced with ceilings made of concrete). Communication between floors was provided by stairs placed symmetrically in both side risalits.
EASTERN FACADE OF THE CASTLE AT THE END OF THE XVIII CENTURY
M
irów is often called the castle, but probably from the very beginning it was designed not for defense, but as a representative and comfortable residence. The defensive elements of the palace were rather symbolic. They were represented by a low wall with shooting galleries and two semicircular towers located facing the town. Thus, the building belongs to a group of palazzo in fortezza type residences, quite rare in Poland.
PLAN OF THE RESIDENCE: 1. PALACE, 2. LIBRARY (AND LATER KITCHEN), 3. CHAPEL, 4. WALL, 5. UPPER COURTYARD
VIEW OF THE PALACE FROM SOUTHWEST
A
t the end of the eighteenth century the palace interiors were transformed in classical style. The northern staircase and the adjoining room were reconstructed then, and the rooms and halls situated above the ground floor received new decorations, e.g. their walls were covered with paintings and woven golden wallpapers. In 1809 the reconstruction of Mirów into neo-Gothic style began, which lasted for almost half a century. As a result, its Renaissance gables were replaced with crenellation and the central risalits were raised by one storey (You can read more about the 19th century reconstruction in the section covering the history of the palace).
FRONT ELEVATION OF THE PALACE
T
he geometrical axis of the palace is crowned on both sides by two late Renaissance pavilions with arcades, built by Santi Gucci in the late 16th century. They are made of the same material as the main residence, i.e. Pińczów stone, and were originally covered with red tiles. The pavilions adjoined the curtain walls and functioned as the chapel of Peter the Apostle and St. Sophia (the northern one) and the library and later the kitchen (the southern one). These are one-story buildings, erected on a pentagonal plan, with facades facing each other. Their front facades are complemented by an arcaded portico topped with stone balls (now only in the chapel), above which rises a slightly wavy gable with a tiny spirelet (chapel) and cone (library). The pavilions and the palace enclose an area called the upper courtyard. Further to the east, there was a larger lower courtyard (now a football field) with a gate located opposite the main entrance to the palace. Years ago, to the west of the residence there was a garden.
PALACE PAVILIONS: CHAPEL (ABOVE) AND LIBRARY, CONDITION IN 2021
riginal Renaissance details have been preserved in the palace, among them portals and window frames, as well as sections of the walls with loopholes and remains of the bastion. The building currently houses a nonpublic high school with a military profile, an agricultural technical school, and a computer science technical school (2021). At first glance, the former residence of the Myszkowski family seems to be in good condition, but if you look closely, you will notice cracked lintels, dilapidated cornices, and
wild vegetation tearing up the gutters. There is no doubt that an expensive renovation is needed here. Of the two pavilions, the former chapel remains in good condition, while
the library is inevitably going to ruin. The castle park, now wild and overgrown, is also not in the best state of preservation.
RENAISSANCE WINDOW FRAMES ON THE SECOND FLOOR OF THE WESTERN ELEVATION
SIDE ENTRANCE TO THE CASTLE (WITH PROTECTION AGAINST FALLING OFF FRAGMENTS OF ARCHITECTURAL DETAILS)
The palace is not open to the public. However, you can take a closer look at it from the outside. The surrounding of the palace is very quiet and relaxing.
A walk around the palace and through the park should not take more than half an hour.
The area is available for people who have come with their dogs.
Drone flights allowed.
CHAPEL OF PETER THE APOSTLE AND ST. SOPHIA
VIEW OF THE CASTLE FROM THE WEST
GETTING THERE
T
he castle is located in the eastern part of the town, on a hill behind the ponds. From the town center head towards Zamkowa Street, and further (behind the ponds, to the left) along Do Zamku Street. The nearest railway station is located in Kozłów, 11 km away.
You can leave your car on the outskirts of the park, on Do Zamku Street (see photo below).
You can ride a bicycle directly to the front door of the palace.
BIBLIOGRAPHY
1. I. T. Kaczyńscy: Zamki w Polsce południowej, Muza SA 1999
2. L. Kajzer, J. Salm, S. Kołodziejski: Leksykon zamków w Polsce, Arkady 2001
3. E. Madejski: Pałac Myszkowskich w Książu Wielkim, Ochrona Zabytków 3/1 1950
4. A. Wagner: Murowane budowle obronne w Polsce X-XVIIw., Bellona 2019
PARKING IN FRONT OF THE CASTLE (DO ZAMKU STREET)
Castles nearby:
Miechów - the fortified monastery from the 14th-17th centuries, 15 km Udórz - the relics of a knight's castle from the 14th century, 30 km
Wysocice - the fortified church from the 12th-13th century, 32 km